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Student Feedback

"In a weeklong workshop I worked with performers from Japan, Venezuela and Australia. After three days together we could create and discuss theater using basic Margolis principles and vocabulary."
Janet Beard

The Margolis Method enables a performer with complete mastery of his internal and external physicality in order to reach across the proscenium of the stage, grab audiences by their guts and entice them on a visceral journey."
Seth Bloom

Learning the techniques and unique approach of the Margolis Method has changed my entire perspective on how to approach theater as an art and a craft. I've learned how to intelligently, viscerally connect to the work and effectively communicate an idea and create a meaningful body of art.
Nicole Relyea

"Margolis has helped me understand the vocabulary of theater, not just in my head, but in my muscles, my bones, my eyes.
Rachel Nelson

"I am a graduate student at the University of Minnesota studying wind band conducting. The Margolis Method has enriched my craft and my life in both subtle and drastic ways. I feel greater connection between the breath and the gesture. I can communicate expression that originates from the torso and not the extremities. I have found a refreshing new way to examine dramatic direction and interpretation and am developing specificity within my gestures. I have found increased flexibility and strength physically, mentally, and emotionally. The Margolis Method is becoming a cornerstone to my development as a conductor and as an artist in the broadest definition of the term."
Don Running

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